The filmmaker's sympathies are not in doubt, though his decision to avoid talking heads - relying instead on contemporaneous television coverage - makes his . 0000013810 00000 n Next steps in 2020: Distribute a DVD and educational resources to every principal of every high school in Australia, as well as every junior and senior sporting club with access to the film, and continue community outreach. Below are some of the must-know techniques that are included in the glossaries of Matrix English Theory Books. The Australian Human Rights Commission is an independent statutory organisation, established by an act of Federal Parliament. Adam Goodes, captain of the Sydney Swans, at the end of the 2012 AFL grand final at the MCG. In this open discussion, Stephen and Fire Up! Mise en Scene is an integrated design concept which refers to what we see on screen in a film. 299 0 obj <> endobj xref "When you see the three years unfolding, we can now see this is what racism looks like and what it sounds like," says director Ian Darling. on Mornings with Stephen Ferris was honoured to host Yvonne Sampson of Fox Sports League, and Ian Darling the director of The Final Quarter, a documentary chronicling of the last years of AFL star Adam Goodes' career.. Cool celebrates the world's oldest living culture and acknowledges that sovereignty was never ceded. Students understand the definition of archival documentary and the process of selection and omission to construct meaning for the audience. We acknowledge and pay our respects to their cultures and traditions, and to Elders past, present and emerging. But there is one key figure who is conspicuous by his complete absence. They evaluate how social, institutional and ethical issues influence the making and use of media artworks. Made entirely from archival footage, photos and interviews sourced from television, radio and newspapers, the film reviews the national conversation that took place over this period. All Rights Reserved. Darling presents a self-consciously larrikin culture in which the right to provoke is sacrosanct, and perceived pomposity is eagerly sniffed out. Feedback to date also confirms the transformative nature of the film for students, as well as the powerful capability of the film as a tool for teachers to help their students understand racism and discrimination. If teaching in a context with a high proportion of Aboriginal and Torres Strait Islander children, it is imperative that guidance is sought from the Principal and Aboriginal Education Officer (or equivalent) prior to screening the film. Third party web links are provided for your convenience only. [4] In 2014 he was named Australian of the Year in recognition of his community work supporting Indigenous Australian youth, the efforts of the Go Foundation (co-founded with his Sydney Swans teammate Michael O'Loughlin), and his efforts to combat racism. Students will gain an appreciation of the work of Shark Island Productions and the power of archival documentary to communicate public messages of importance. [17] He did not attend the Grand Final, where retiring players traditionally take part in a parade, one of only a handful of players to decline this invitation since the parade for retiring players was established. The AFL issued an unprecedented and extraordinary response on the night of the films premiere, apologising for the treatment that Adam Goodes had experienced and for not doing enough. Our game is about belonging. It received extensive media coverage, with over 200 articles and 330 pages of media appearing in all media outlets including The Age, SMH, Herald Sun, The Australian, The Guardian, The Daily Telegraph, ABC Insiders, etc. Late 2019: Launched the educational strategy in partnership with the Australian Human Rights Commission, Reconciliation Australia and Cool Australia, including 46 lessons for years 5-12 on dignity, cultural pride, racism, truth-telling, respect, resilience, and mental health. 0000009450 00000 n Perhaps fed up with just that kind of dance, Goodes celebrates a goal with a traditional war jig that culminates in the throwing of an imaginary spear, and talkback radio again lights up. Considers how the media influences audience perspectives through the use of language and point of view. Cool Australia has produced 52 lessons designed for Years 5-12 that investigate racism, privilege, truth-telling, cultural pride, resilience, values and dignity. Just whose existence is being threatened, and by whom, is a subject canvassed by a procession of pundits once Goodes starts getting booed by fans of every stripe. (2019). As Darling astutely realised, the footage says it all. The cheers became boos as the crowds turned on him. [28], The documentary was widely praised by critics. 0000010667 00000 n Retrieved fromhttps://thefinalquarterfilm.com.au/about/. Investigates the archival documentary technique used in. And so it is also a film about the purpose and value of legacies. Keywords: film, documentary, analysis, analyse, media, The Final Quarter, archival, footage, conventions, Aboriginal and Torres Strait Islander, AFL, footy, football, perspective, point of view, techniques, editing. 2022 Shark Island Institute | PrivacyPolicy. Late 2019: Launched the educational strategy in partnership with the Australian Human Rights Commission, Reconciliation Australia and Cool Australia, including 46 lessons for years 5-12 on dignity, cultural pride, racism, truth-telling, respect, resilience, and mental health. Using only archival footage aired at the time, The Final Quarter holds a mirror to Australia and is an opportunity to reconsider what happened on and off the football field. Angles. Evaluate how technical and symbolic elements are manipulated in media artworks to create and challenge representations framed by media conventions, social beliefs and values for a range of audiences (ACAMAR078), Analyse a range of media artworks from contemporary and past times to explore differing viewpoints and enrich their media arts making, starting with Australian media artworks, including media artworks of Aboriginal and Torres Strait Islander Peoples, and international media artworks (ACAMAR079), General capabilities: Literacy, Critical and Creative Thinking, Cross-curriculum priority: Aboriginal and Torres Strait Islander Histories and Cultures (OI.9). Screenwriters: Mark Monroe, Ian Darling Documentary-maker Ian Darling relies chiefly on broadcast footage, as well as upon newspaper headlines splashed across the screen, in retracing his tale. +: 410@ v[[J2s1nY(x1F?F^V,pnhpi|&N.]L*^{F\`\00-KPaoPJ00 @ n` endstream endobj 345 0 obj <>/Filter/FlateDecode/Index[25 274]/Length 31/Size 299/Type/XRef/W[1 1 1]>>stream (2019), June 17). The impact and outreach campaign is expected to significantly expand in 2020, with a DVD to be given to the principal of every high-school in Australia. [13][14][15][16], Goodes retired from the AFL in September 2015. Project-specific support provided by Screen Australia's development programs since the agency's inception in July 2008. The Final Quarter is a post-mortem of this dark period in Australian sporting and cultural history, comprised entirely of archival footage aired at the time. 0000004288 00000 n We highly recommend that students view the film in its entirety before participating in subsequent lessons. 0000069818 00000 n In July 2019 the NFSA hosted a screening of director Ian Darling's documentary The Final Quarter, about the events that provoked heated public debate and the retirement of champion AFL player Adam Goodes. I am referring of course to the final quarter, as it were, in the career of Sydney Swans star. consider the various ways mood and meaning are created in archival documentaries. Explores how societal values are shaped and investigates the concepts of equity, equality and inclusion as they relate to Aboriginal and Torres Strait Islander peoples. These should help both aspiring and professional cinematographers create the most impactful and engaging films and music videos. Explores race relations in Australia and how formal and informal treatment of Aboriginal and Torres Strait Islander peoples impacts upon their sense of belonging. Made entirely from archival footage, photos and interviews sourced from television, radio and newspapers, the film reviews the national conversation that took place over this period, and places it in a wider historical context. The girl phoned to apologise, saying that she hadn't realised the impact of her words. Whether tearing up football fields across during his 372-game stint for the Sydney Swans, or standing up against prejudice both in the AFL and in Australian in general, Adam Goodes' name has been splashed across the headlines plenty of times over the past two decades. [21][22] The director's statement about the film states that he did not want to explicitly choose a side but instead wanted to present the footage and allow "the audience to see and hear for themselves what had happened, to ask their own questions and to come to their own conclusions". Note: This film may not be suitable for viewing by all young people. Throughout 2019: worked through social media company 33 Creative to engage with an online audience, maximise positive engagement and manage racist or bullying interaction. 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[27] Luke Buckmaster, writing for The Guardian, called it "confronting" and "inspiring",[29] while Blake Howard, writing for Flicks, gave it five stars and called it exhilarating and powerful. Concrete Playground acknowledges the Traditional Owners of the lands where we live, work and play, and across the lands we travel through. Cool celebrates the world's oldest living culture and acknowledges that sovereignty was never ceded. Director's Statement. The racially motivated vilification and unsympathetic voices from audience members and commentators increased to the point where he left the game on which he had built his career. The result is a powerful film that holds a mirror to Australia and suggests we reconsider what happened on and off the football field. 'The Final Quarter' compiles a selection of opinions from cultural commentators at the time (like Andrew Bolt, Miranda Devine, and Rita Panahi), who present the most common arguments for why people were booing Goodes. 0000062114 00000 n 0000006599 00000 n We will not achieve this while racism and discrimination exists in our game We will stand strongly with all in the football community who experience racism or discrimination. There were always people who argued that Goodes was not a victim of racism just a King Kong reference here and an ape joke there, set to the soundtrack of thousands of punters booing from the stands. Looks at score and song writing, including analysing lyrics and musical elements. Goodes himself recedes as the film goes on and the media barrage continues. Oz musicians Paul Kelly and Dan Sultan provide an original ballad for the films bleak coda, which brings the saga very much into the present tense. Director Ian Darling joins us to discuss, ://fbiradio.com/ian-darling-yvonne-sampson-last-days-adam-goodes-career/, https://thefinalquarterfilm.com.au/about/. A supercharged current courses through it, Darling having created less a documentary than a kind of electric cine-essay, pulsing with energy and urgency. Learn more about the film here. Shortly this will also incorporate project-specific market and festival support provided by Screen Australia since its inception in July 2008. Read for more details. Cool Australia acknowledges the traditional custodians of the land on which we live, learn and work, and pays respect to their Elders past and present, and to all Aboriginal and Torres Strait Islander peoples. 0000005252 00000 n Ian Darling recaps the years-long media cycle that drove Indigenous sportsman Adam Goodes out of the limelight in 'The Final Quarter.' By Harry Windsor. Our Watching the Film lessons are designed to support you in facilitating this process. The Final Quarter was made by Shark Island Productions, an independent film production company. Despite much of the material being confronting, The Final Quarter is also inspiring, with a message that each of us will be remembered ultimately for two things: what we say and what we do. Theyre booing you because youre acting like a jerk, he bellows, going on to ridicule the league for promoting diversity-related initiatives and declaring that, as a white heterosexual male, he is waiting for my day to come. That's not going to change in 2019, but for a different reason the dual Brownlow medallist and 2014 Australian of the Year is the subject of two documentaries, with each exploring his story on and off the field, including the racism he endured over his 17-season playing career. 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